Kanika Dhillon has a knack for creating delicious characters. But doesn’t she also need to master what to do with them eventually?
Vinil Mathew picks up the right cast to play those delicious characters, and extracts very engaging performances from them to make them rather exciting. But does he believe that a film can thrive merely on excellent performances?
Pulpy trashy novels within your script can be interesting inspirations to orchestrate the filmy twists in your story. But don’t the writer and the filmmaker have the responsibility to ensure their film eventually doesn’t become that inspiration?
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