It is often said that the most memorable cinematic experiences are often about how much we buy in and immerse ourselves into its make believe world. And when magical realism is the unifying driving theme of most films of the filmmaker in focus, you somewhat know that the make believe aspects of his latest film will be its key strength. You know that he will make the story breathe and will let you the space to interpret it in your own unique way without feeding it all in a platter.
It is also said that inspirations or adaptations can become more interesting, when the filmmaker infuses his own imagination and narration style to the source material, allowing for significant deviations to integrally sync up with the storytelling. Gulzar’s Ijaazat became such a classic because of the way he treated the original story idea of Jatugriha and brought in his own complexities. Quentin Tarantino is a master of altering the facts of history to create his own immersive cinematic world across films, be it The Inglourious Basterds or the very recent Once Upon a Time in Hollywood. The same can be said about national award winning filmmaker Pradipta Bhattacharya’s latest film Rajlokkhi o Srikanto, where he does take Sarat Chandra Chattopadhyay’s classic source material for the base, but takes the film to a completely different space because of the deviations he takes and the narration style he chooses. The only thing that he possibly demands is your flexibility and patience to stay with him while he lays the foundation, so that the wings of magical realism can be built for us to take off on a flight of an immersive surreal experience.
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