“Gulzar was a toddler of one when his mother, Sujaan Kaur, passed away. As there were no photographs of the lady to fall back upon, he does not even know what she looked like. That unseen face of a woman who brought him into the world is, in a very crucial way, probably the reason why the busy poet-filmmaker has never forgotten that otherwise little known, nondescript village which now lies on the Pakistani side of India’s northwestern border. It is a village that, in his mind, is associated with the mother whose visage he does not remember. So he clings on to whatever is remotely reminiscent of that tiny hamlet of his childhood.
His friends and associates often allude to his feminine disposition: it enables him to see relationships invariably from the standpoint of women. For a boy who attained manhood without the benison of maternal love, the feminist slant of his work is almost a dire necessity, an act of coming to terms with a chasm that has existed in the very center of his life ever since he can remember.“
– Excerpts from ECHOES and ELOQUENCES, The Life and Cinema of Gulzar – By Saibal ChatterjeeContinue reading “Dil Dhoondhta Hai : Gulzar, the Humanist Poet, and his Women of Strength”