Amitabh Bachchan – The Biggest Superstar ever of Hindi Cinema is a statement that may not change anytime soon, and remains a fact even after he completed 50 glorious years in Hindi cinema some time back! The range of his body of work is incomparable, and he has been tremendous in everything that he has done from Action to Comedy to Drama to Extrovert to Introvert to you name it. But my favorite ones have been his serious understated types! Making his debut as the voice narrator in Mrinal Sen’s award winning Bhuvan Shome in 1969 and then with an on screen debut with Saat Hindustani in the same year, the Maestro has come a long way! The Dadasaheb Phalke honour, Padma Vibhushan, 4 national awards, 15 filmfare awards, 41 filmfare nominations and a host of innumerable other accolades and counting, his journey continues! May be his performance of the lifetime is yet to come!

Continue reading “Amitabh Bachchan – Most Memorable Characters!” →

“Gulzar was a toddler of one when his mother, Sujaan Kaur, passed away. As there were no photographs of the lady to fall back upon, he does not even know what she looked like. That unseen face of a woman who brought him into the world is, in a very crucial way, probably the reason why the busy poet-filmmaker has never forgotten that otherwise little known, nondescript village which now lies on the Pakistani side of India’s northwestern border. It is a village that, in his mind, is associated with the mother whose visage he does not remember. So he clings on to whatever is remotely reminiscent of that tiny hamlet of his childhood.

………

His friends and associates often allude to his feminine disposition: it enables him to see relationships invariably from the standpoint of women. For a boy who attained manhood without the benison of maternal love, the feminist slant of his work is almost a dire necessity, an act of coming to terms with a chasm that has existed in the very center of his life ever since he can remember.“

– Excerpts from ECHOES and ELOQUENCES, The Life and Cinema of Gulzar – By Saibal Chatterjee

Continue reading “Dil Dhoondhta Hai : Gulzar, the Humanist Poet, and his Women of Strength” →

Fahadh Faasil is the name that resonates pan India now as the Best Lead Actor working in Indian cinema today, and that coming from a place where Fahadh has still not worked in a single Hindi film (the language of films which has had the most pan India acceptance to date) makes it extra sweet. It is however not so suprising since the Malayalam film industry now makes the best cinema in the country for a while, and its realistic, lived in, matter of fact world perfectly complements the natural, understated and layered performance competency of Fahadh Faasil. The actor excels in non physical communication since he has the best expressive eyes in the country today, and wonderfully uses them and his charming persona to infuse all his characters with shades of grey, quirk, and natural believability with an effortless conviction, never coming across as trying too hard or ‘act’.

Continue reading “The Best Performances of Fahadh Faasil – Ranked” →