10 years today when Shammi Kapoor is no longer with us. But as long as we would continue to love one of more of these songs (my 10 personal favourites in no order), he would live on through the echoes of that music immortalized by the golden voice of Mohammad Rafi Saab…
Remembering Nazia Hassan, the peppy pop songwriter and singer from Pakistan on her 20th death anniversary today. She passed away at very young age of 35 due to lung cancer, but within her short life span and a singing career of just 15 years, she received immense popularity and was called as the “Queen of Pop” amongst the South East Asian music lovers. Her debut album, Disco Deewane (1981), charted in fourteen countries worldwide and became the best-selling Asian pop record up at the time. Boom Boom, Young Tarang and several other successful records followed, and together with brother Zoeb Hassan, she became a rage for a whole generation of youngsters growing up in the 80s.
What a talent! What a trailblazer! Your music still haunts! You live on!
“Kya hai yeh jeena.. tere bin aye sanam… Lekin mera dil.. mera dil ro raha hain…..”
“Meera… Kevin… This marriage is a beautiful thing. It is a most special friendship, friendship of two people who are equal. Life is a long journey, Meera, sometimes… you will feel you are less, Kevin sometimes, you will also feel that you are less than Meera. Try to help each other, to feel equal, it will be nice. Sometimes, married couple don’t even know how the other is feeling. So, how they will help the other? Does it mean marriage is over? No. That is the time you have to help yourself. Nobody can help you better than you, if you do that, you will return back feeling equal, your friendship will return back, your life will be beautiful. Meera… Kevin… Maybe you all very busy, but, have family, son, daughter. In this big world, your small little world, it will make you feel so good. Family… family can never be… never be, umm.. never be judgmental, family will never put you down, will never make you feel… small. Family is the only one who will never laugh at your weaknesses, family is the only place, where you always get love and respect. That’s all Meera and Kevin, I wish you all the best. Thank you.”
Shashi Godbole, English Vinglish
A masterclass performance by Sridevi in a brilliantly conceptualized scene! A rare moment on Indian screen where true power, elegance and empathy came out winners together!
Soulful singing personified – That’s the brilliance of Mukesh Saab!
There are songs you can’t just imagine anyone else even attempting them. There are films with lot of great singers singing the more popular songs, but it is the Mukesh number that feels closest to the heart even after so many years.
Top of the mind then, 10 favourite songs of Mukesh Saab would be:
Woh subah kabhi to aayegi
Jis gali me tera ghar na ho
Kahin door jab din dhal jaaye
Kisi ki muskurahaton pe
Koi jab tumhara hridaye tod de
Kai baar yun bhi dekha hain
Kahin karti hogi woh mera intezaar
Jaane kahaan gaye woh din
Main pal do pal ka shayar hoon
Ek pyaar ka nagma hai … All this and counting !
Remembering the legend today on his 98th Birth Anniversary! And throwing back a picture with too much of greatness in one frame!
The songs composed by Rabindranath Tagore have always been a lifeline of Bangla films. For decades, they have been the voice of soul in our films, and when at the turn of the century a decision was taken to allow experimentation with the arrangement in Tagore Songs, there was a fear that it would be a disaster as far as preserving the sanctity of these songs was concerned. Has it really been the case on the whole?
Yes, there has been a Oo lala added to a Pagla Hawa in some cases, but Rabindra Sangeet has stood firm with its soul and its form preserved for the most, a few modern rhythmic adaptations like Jagorane jaaye bibhabori have actually worked, and in most cases even the form has remained as pure as possible. How much ever our storytelling might have changed, our filmmakers still fall back to the ever reliable and the deepest emotions of Rabindra Sangeet even today, and rightfully so.
The world of Hindi Cinema has got a lot of its simplistic and heart felt beauty courtesy the warm and endearing cinema of Basu Chatterjee. Along side Hrishikesh Mukherjee, he made those evergreen everyday commoner stories that we could all relate to, revolving around protagonists who were so very you and me. A Chhoti si Baat, Baaton Baaton Me, Khatta Meetha or a Rajanigandha hence become any time watches for many. As we watched and rewatched, we fell more and more in love with the films, and with life. At the same time, there is the brilliantly adapted Ek ruka huya faisla, or Swami, or Apne Paraye in his filmography as well which have their own emotional and cinematic appeal, all attacking very different topics. With Kamla ki Maut, a story and a style was chosen much ahead of the times. That is the versatile talent of the man, as much as we try to box him within a sugary sweet zone.
Happy 90th birthday Basu’da! The treasure chest of Hindi cinema looks far more richer for the gems you added to it.
PANCHAM, the true successor of the genius of Sachin Dev Burman, was no less a magician by himself. The man who broke every conventional barrier through his music, and composed music that was way ahead of his time. He was at his sublime best when he was dealing with pure unadulterated melody unlike his more popular jazzy work. 60’s first felt the fire power of his music, the glorious 70’s and most of 80’s thrived with his golden compositions; and even when he was written off in 90’s, he created some of his finest work completely pushed against the wall. Challenging the status quo of every singer, he provided the flight beneath their wings for them to soar new heights, and with that his eternal music found its unbound skies as well. Too many classics, too many game changers, and then the trailblazer was suddenly gone too soon.
Apu & Durga (Pather Panchali & Aparajito), Kajal (Apur Sansar), Ratan (Postmaster), Mrinmayee (Samapti), Mukul (Sonar Kella), Ruku (Jai Baba Felunath), Pikoo (Pikoo), Dingo (Shakha Proshakha), Satyaki (Agantuk), or the ‘Two’ kids…
Just these characters can continue reminding us for decades to come how brilliant a film maker the Maestro was… It takes a genius to get the best and most natural out of children in cinema, and He did it every single time with each one of them. The characters above have become legendary, not just with their writing, but also with the kind of performances these kids could deliver under the guidance of Ray..