Shoojit Sircar is a man of quiet depth and restrained emotions. Even when he makes his lighter films, there is a unique elegance and classy charm attached to them, them studded with precious gem like moments, deeply layered subtlety, and an inexplicable repeat watch quality where you keep discovering a new something with every repeat watch. When the news first started flowing around that my most favourite hindi filmmaker of today’s times was going to make a biopic on Sardar Udham Singh and had the incredible Irrfan on his mind to play the titular role, it was naturally very exciting. While there were apprehensions about Shoojit also jumping into the biopic bandwagon, and also indulging in a genre that was outside his comfort zone, I also had the confidence that Shoojit, with his research , detailing, aesthetics and restraint, will lend the right amount of depth and gravitas to the forgotten story of this valiant revolutionary who took all his time but never lost focus on seeking justice on possibly the single most heinous crime and the darkest event of blood bath that marred India’s struggle for independence.Continue reading “SARDAR UDHAM : Say it like Shoojit Sircar”
There is a reason why I think Vikramaditya Motwane is the most versatile, most fearless and most creative filmmaker currently working in Mumbai! The man doesn’t care whether his art will trigger the ringing of cash registers at the box office, but he will go to any length to make the most impressive films in the genres he will pick up, and challenge both art and life through it! And he will control his indulgence too. And then keep it accessible for all without trying to go too tangential. AK vs AK is another bold step towards establishing it!Continue reading “AK vs AK : Meta Musings of Life”
Early on in Gunjan Saxena: The Kargil Girl when young Gunjan tells her folks for the first time that she wants to be a pilot, Anup Saxena, an army officer by himself, and Gunjan’s father very subtly tells his condescending elder son Anshuman “Jab plane ko faraq nahi padta ki use kaun udaa raha hai, to tumhe kyon padta hai barkhurdar..”. It is one heck of a statement delivered with the sweetest calmness, and immediately sets the tone of writer director Sharan Sharma‘s debut film. Full credit to him that he maintains that even tonality and pace throughout the film, and delivers a highly satisfying cinematic experience with a beautiful emotional core and a strong message, that challenges the ingrained patriarchy of our homes, our societies and our workplaces on one hand, and strongly rebukes the generic template of jingoistic patriotism on the other.Continue reading “GUNJAN SAXENA: THE KARGIL GIRL – Soars High in the Sky”
In Honey Trehan‘s debut feature film Raat Akeli Hai, a dysfunctional family, with a rich socio-political backing, is facing the mysterious murder of its patriarch on his wedding night. But that is not the only mystery that inspector Jatil Yadav, in charge of solving this case, is dealing with. There are at least five other deaths that we encounter as a part of the unfolding narrative over two timelines, that have their own flavors of murder, revenge or redemption; and there are more lives on the line who have been used, abused and exploited in their own ways.
In general, our movie watching experience is often driven by a few things especially when we talk about the slice of life genre – How likeable are the characters? Can I emotionally root for one of them? How attached are the characters to each other thereby evoking compassion or sympathy? Is it explicitly making me laugh, feel sad, get angry? Is it aligning with my preconceived notion of how I am supposed to feel for this film? Sometimes when we don’t have clear answers to most or any of these questions, there is a chance we will dismiss the film as uninteresting, bland or confusing. But Shoojit Sircar and Juhi Chaturverdi are not interested to find a happy path to these questions and create a feel good laugh out loud comedy to satisfy everyone. For the fourth time in a row, they present another deeply layered observational film packaged unconventionally yet again, this time as a dramedy, on the futility of attachments and running behind the eventually inconsequential things for a lifetime. Life is often about its nothingness and a goose chase to feed our desires, and the whole pointlessness of the entire journey and its disappointment is what one is left with in the end. Gulabo Sitabo shines because Shoojit Sircar and team intricately weave in this deep philosophy as the melancholic soul of the film, with an effortless ease into the everyday ordinariness of a seemingly brewing cacophonic premise.
When the human moral compass waivers, and greed chokes the ability to feel anything else, the relationships go down the drain!Continue reading “CHOKED : PAISA BOLTA HAI – waivers its potential”
What happens when the common ordinary man feels emotionally marooned because they are all trapped in a world of chaos and war? It could be a migrant Indian family desperate to go back home from a war laden Iraq, but their employer has opportunistically tricked them and their government has conveniently forgotten them. It could be a native Iraqi whose life has been shattered in the hands of an autocratic ruler and then by an unwarranted foreign invasion. It could be the trapped American soldier of the frontline whose inherent human instinct is long lost amidst all the violence and bloodshed but is desperately seeking a revival. Or it could simply be a young six year old boy whose innocent ask from life is to get his birthday celebrated, but last two years has robbed him of such simple joys of life. The new Zee5 Original film Chintu ka Birthday is a story of all such broken, marooned people who are desperate to cling on to life and its small gifts, however illusive they might be.Continue reading “CHINTU KA BIRTHDAY : Longing To Be Loved”
Natkhat – The thirty odd minutes long short film by Shaan Vyas premiered on the We Are One global film festival and is an important film that talks about how misogyny is most often ingrained in young innocent minds in their homes and in the playful environments surrounding them, and how it is critical for parents to protect them from the same even at the expense of exposing their vulnerable selves to this impressionable innocence.
Because the basic human dignity of the marginalized has become a monkey business in this country!!
.. Prateek Vats‘s sharp political satire Eeb Allay Ooo that brilliantly inverts its lens for a bold commentary on the power dynamics between ‘Lutyens Monkeys‘ and ‘the common man at their mercy‘ is an essential viewing experience, more so now than ever before!
In one of the more memorable scenes of Shubh Mangal Zyaada Saavdhan, writer-director Hitesh Kewalya poses a question back to an ordinary Indian couple on screen (read. us the audience) through one of his lead protagonists – Why does no one ever ask Jack whether he wants to go up the hill with Jill or Johnny? May be Jack and Johnny have a plan to live in love and laughter up there. He challenges the couple not to pre-set the mind of their young child that only Jack and Jill going up together will remain happy or should be accepted as the norm. He knows that the change for the child’s broadened perspective has to start happening right from there. He possibly wishes that at least that young boy doesn’t face the daily and most painful struggle of his family not accepting the way he is, and instead feel the imposed weight of their standards of normal to define his agency.Continue reading “SHUBH MANGAL ZYAADA SAAVDHAN : A Film We Need Even If We Don’t Love It Fully”